COLLECTION HIGHLIGHTS Keyhole icon

Discover some of the key pieces in the Legation’s collection:

James McBey, Zohra (1952)

JAMES MCBEY, ZOHRA, MAY 1952, OIL ON CANVAS, 21 ½” × 24”, SEVENTEENTH CENTURY SPANISH FRAME

The Museum owns a large collection of the paintings, watercolors, and etchings of Scottish-American artist James McBey. His painting of a young Zohra is a visitor favorite; some refer to her as the Moroccan Mona Lisa.


de Leth map (c. 1740)

DE LETH (H. AND A.), NIUWE PASKAERT VANT NAAU VAN DE STRAAT… 1726, HAND-COLORED, 18” × 22”, AMSTERDAM, C. 1740

This is one of the many maps of Morocco and the Mediterranean collected by Malcolm Forbes and other expatriates who called Morocco home.


Hassan Al Glaoui, Sultan on Horseback

HASSAN AL GLAOUI, SULTAN ON HORSEBACK BEFORE PORTAL, ND (1985), OIL ON BOARD, 28 ½” × 41 ¼”.

This image of the Sultan exiting ceremoniously from his palace is a popular one among both Moroccan and expatriate artists. This version was painted by Glaoui, the son of a Pasha, whose representations of Moroccan fantasia made him one of the best known Moroccan contemporary painters.


Mohammed ben Ali R’bati, Magistrat au Prétoire

MOHAMMED BEN ALI R’BATI, MAGISTRAT AU PRÉTOIRE, C. 1935, WATERCOLOR, 13” × 8 ½”

A pioneer, R’bati was the first Moroccan artist to depict and exhibit human figures. His work was filled with layered patterns and rich imagery of Moroccan life, both ceremonial and mundane.


Wenceslas Hollar copper plate detail, 1669

CLOSE UP FROM AN ORIGINAL COPPER PLATE ETCHED BY WENCESLAS HOLLAR, 1669

Capturing Tangier when it was British, gifted to Charles II when he married Portuguese princess Catherine of Braganza.


Madeline Colaço, Untitled (1984)

MADELINE COLAÇO, UNTITLED, 1984, FABRIC, 46 ½” × 34”

Colaço, the great granddaughter of former U.S. Consul to Tangier Felix Mathews, had deep roots in Tangier. In this gorgeous textile work, she immortalized the women of the Rif Mountains whose striped woven skirts have long brought color to the markets of Tangier.


James McBey, The Storyteller (1912)

JAMES MCBEY, THE STORYTELLER, 1912, DRYPOINT ETCHING, 11 ¼” × 6 ¾”

McBey’s first trip to Morocco was in 1912 to Tangier and Tetouan. From his sketches, he created a series of etchings that reflected what would become a lifelong fascination with the country. He is buried in Tangier with the epitaph “He loved Morocco” written in Arabic on his tomb.


Edward Suren diorama, Battle of the Three Kings

DIORAMA CREATED BY EDWARD SUREN, BATTLE OF THE THREE KINGS 1578

Financier Malcolm Forbes owned a home perched on the cliffs overlooking the Bay of Tangier in which he kept his extensive collection of dioramas. This is one of two dioramas gifted by his heirs to the Legation that focus on significant battles in Moroccan history.


Mohammed Mrabet, Hand of Fatima (1977)

MOHAMMED MRABET, HAND OF FATIMA, INK DRAWING, 1977, 15 ½” × 12 ¼”

Mrabet was a talented artist and writer who was part of the circle of creatives that included Paul Bowles and other Beat Generation luminaries in Tangier in the 1960s.


Abdellah Khairouni, With These Hands, Randy Weston (2023)

ABDELLAH KHAIROUNI, WITH THESE HANDS, RANDY WESTON, MIXED MEDIA ON CRAFT PAPER, 2023, 170 CM × 150 CM

Moroccan painter and public school teacher Abdellah Khairouni has long been fascinated by the expatriates who were drawn to and inspired by Morocco. The Legation commissioned this portrait of Randy Weston, the American pianist whose “African Rhythms” jazz club in Tangier made pioneering contributions to jazz in the 1970s.